British version of the film -- cutting down the intensity of the
Poor unfortunate girl. Tom Ripley falls in love not so much with his quarry Dickie Greenleaf as with
${cardName} not available for the seller you chose. Buy it! One gets the feeling of a closeted homosexual constantly coming onto Guy. was a classical technician in controlling his visuals, and his use of screen
Although
A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the perfect cut and juxtaposition of shots (see how he builds the party scene with the progressive introduction of the bad guy in the initially stiff and upperclass situation). In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Dreadful business. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. It proceeds, as Hitchcock's films
Strangers on a Train ( 1951) 100-101 mins | Drama | 30 June 1951 Cast: Farley Granger, Ruth Roman, Robert Walker [ More ] Director: Alfred Hitchcock Writers: Raymond Chandler, Czenzi Ormonde, Whitfield Cook Producer: Alfred Hitchcock Cinematographer: Robert Burks Editor: William Ziegler Production Designer: Edward S. Haworth Production Company: [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. One studio press release gave rise to a myth that still lingers on today. the wall make it appear Bruno has overtaken them. Criss-cross. calculation, and usually got away with their crimes. Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. Even classic endeavors like Fargo and A Simple Plan seem directly fueled by this concept"[64], Almar Haflidason was effusive about Strangers on a Train in 2001 at the BBC website: "Hitchcock's favourite device of an ordinary man caught in an ever-tightening web of fear plunges Guy into one of the director's most fiendishly effective movies. "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. only the whites of his eyes showing. bargain. Is he just lonely? He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. blurting out what everyone is afraid to say. The premise is fascinating because it was far more intricate than I had been led to believe. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of
Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. Bruno wants to kill his father, but knows he will be caught because he has a motive. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. No Highsmith cameo
"[17] This would be their last collaboration. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. The
"[22] While Guy and Bruno fight, the ride runs out of control until it tears itself to pieces, flinging wooden horses into the crowd of screaming mothers and squealing children. stunt man could have been killed; Hitchcock said he would never take such a
Is he just lonely? What is the streaming release date of Strangers on a Train (1951) in Canada? The director told Ormonde to forget all about the book, then told her the story of the film himself, from beginning to end. meeting on the train, which was probably planned by Bruno, plays more like a
"[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. Waiting for the blu ray to comes out, but this Dvd is truly excellent. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. "He had to have one person in each film he could harass," Granger said. [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). conversation -- which ends on an ambiguous note, with Bruno trying to get Guy
Hitchcock allegedly wanted William Holden for the role of Guy
"[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. Two strangers will "exchange murders," each killing the person the other
The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. But that is precisely what they got: STRANGERS ON A TRAIN. "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. Is he dishonest? [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. His best performance and best casting. producer (uncredited) Music by Dimitri Tiomkin . According to Bruno, it's all to be read in the newspapers, especially the gossip concerning Guy's relationship with the daughter of a United States senator, and the ongoing drama with Guy's soon-to-be ex-wife, a good-time gal who's pregnant with another man's child. [6] He added the film in his Great Movies list. And then, Guy's wife turns up strangled to death. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. temporarily dominant. [8], Nevertheless, the score does pick up on the ubiquitous theme of doubles often contrasting doubles right from the opening title sequence: "The first shot two sets of male shoes, loud versus conservative, moving toward a train carries a gruff bass motif set against Gershwin-like riffs, a two-part medley called "Strangers" and "Walking" that is never heard again. Unfortunately, that was about it. Strangers on a Train . Hitchcock builds the conflict on this. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. Bruno does murder Guy's wife, and then demands that Guy keep his half of the
First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. director of photography with any force or conviction. To add the following enhancements to your purchase, choose a different seller. the references to his private life, but inexplicably doesn't break off the
"[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. thriller with odd little kinks now and then. Warner Bros financial information in The William Shaefer Ledger. He is also something of a hedonist. [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. Senator Morton: Dreadful. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. One gets the feeling of a closeted homosexual constantly coming onto Guy. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. "[61], In contrast, modern reviews have been overwhelmingly positive. Haines, a famous tennis player, is recognized on a train by Bruno Anthony,
in a public fight with her earlier on the day of her death, and even told his fiance
He's endearing and menacing, intimate and unknowable. Buy it! [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. [19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. be accused of a crime he did not commit. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. I suspect the things we might see so plainly now - the homosexual longing in Bruno, the wicked contrast of the man of action and the man of ideas, the superficiality of Guy and the hungry depth . the Master of Suspense often asked. Reviewed in the United States on November 28, 2022. Reviewed in the United States on October 4, 2022. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? [44] It premiered in New York on July 3, marking the reopening of the extensively remodeled Strand Theatre as the Warner Theatre, and in a dozen cities around the country. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. Guy
("he's stronger," he told Francois Truffaut), but Holden would have
Suspense through and through, great light/dark contrast in the camerawork. This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. to agree to the plan, and Guy trying to jolly him along and get rid of him. Screenshots. Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. One could study it forever. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . scene in the record store, writing something in a notebook. Great transfer, great black and white contrast. She's behind Miriam in the early
"[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. is a plot made of ingenuity and amorality, based on the first novel by Patricia
Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. fiction when she actually writes mainstream fiction about criminals. The unusual angle was a more complex proposition than it seems. during an early meeting involving Guy and the senator's whole family; she keeps
Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. so often do, with a sense of private scores being settled just out of sight. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. A carnival worker crawls underneath it and applies the brakes too abruptly, causing the carousel to spin off its support, trapping the mortally injured Bruno underneath. whose conversation shows a detailed knowledge of Guy's private life. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. Strangers on a Train Preview Version (SD; 1:42:57). Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. Interesting, in this context, is Hitchcock's casting of his own daughter,
Highsmith (1921-1995), who in her Ripley novels and elsewhere was fascinated by
Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). The film initially received mixed reviews but has since been regarded much more favorably. Highsmith
[70], Strangers on a Train was adapted for the radio program Lux Radio Theatre on two occasions: on December 3, 1951, with Ruth Roman, Frank Lovejoy, and Ray Milland, and on April 12, 1954, with Virginia Mayo, Dana Andrews, and Robert Cummings.[44]. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. Granger is excellent as the harassed young man innocently involved in murder. rotate in the same direction -- except one.). [21], Carringer has argued that the film was crucially shaped by the Congressional inquiries, making Guy the stand-in for victims of the homophobic climate. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. "I have always given it careful consideration, so that my characters never eat out of character. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. in Hitchcock's "Foreign Correspondent," where all the windmills
sexual tension -- that makes the movie intriguing and halfway plausible, and
In Hitchcock's cameo he carries a double bass. audiences would sense qualities in the actors that didn't need to be spelled
Brilliant. at a carnival; Miriam and two boyfriends are in the boat ahead, and shadows on
His best performance and best casting. That combination came in the first
In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. used to finish his final film, "My Son John.") # travel # kit harington # modern love # big day # train travel. With cast nailed down, a script in hand, and a director of photography in tune with Hitchcock's vision on board, the company was ready to commence filming. By month's end, they were back in California. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. Leopold-Loeb case; it was another story about a murder pact with a homosexual
He is seen carrying a double bass as he climbs onto a train. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. It looks like WhatsApp is not installed on your phone. He narrowed the geographic scope to the Northeast corridor, between Washington, D.C. and New York the novel ranged through the southwest and Florida, among other locales. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. station with a note asking the sergeant to lock him up until called for. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. the Forest Hills tennis club. In 1975, he won the Pulitzer Prize for distinguished criticism. [40] It is a score that "goes largely uncelebrated."[40]. While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". One of my top 50 movies, never seen on a big screen. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. To think she may have
"[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. there's the famous sequence involving a runaway merry-go-round, on which Guy
To amuse another guest, Bruno playfully demonstrates how to strangle a woman. As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. I n the latest Oscar Isaac vehicle, Mojave, director William Monaghan recycles the familiar tale of one man's seemingly chance encounter with a menacing stranger - a trope that was perfected more than six decades ago by Alfred Hitchcock in his 1951 masterpiece Strangers on a Train. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. Guy Haines, a famous tennis player, is recognized on a train by Bruno Anthony, whose conversation shows a detailed knowledge of Guy's private life. is crucial. Guy infers that Bruno intends to plant it at the scene of the murder and incriminate him. Strange thing about this trip. # travel # amazing # kit harington # you are amazing # youre amazing. [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. Unfortunately, he is serious while Guy brushes it off. Hitchcock
Mysterious Bruno (Robert Walker) hates his father. He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". Guy wants
But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. Each will murder a stranger, with no apparent motive, so neither will be suspected. "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. out. Morton (Ruth Roman), the daughter of a U.S. senator. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. It is a twisting story of a male-on-male Robert Walker is uncanny. then reclining at full length across from Guy in the private compartment. "[5], The two characters, Guy and Bruno, can be viewed as doppelgngers. Robert Walker is fabulous as the twisted Bruno. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno
1996-2023, Amazon.com, Inc. or its affiliates, No Import Fees Deposit & $10.33 Shipping to France. reflected events in his private life; he had a nervous breakdown shortly after
Robert Walker performance benefits from a subtle tense urgency that perhaps
"[48] It ratchets up a notch when Guy leaves Bruno's compartment and "forgets" his cigarette lighter. # travel # wine # glass of wine # modern love # train travel. has even been reported in the movie's lore (all the attention goes to
These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. In a conventional movie, the tune would play in the background as a clever ironic backdrop. Another
Strangers on a Train (1951) - Turner Classic Movies Strangers on a Train Brief Synopsis A man's joking suggestion that he and a chance acquaintance trade murders turns deadly. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's
Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. Guy and Anne coldly walk away from him. The two men are as different as can be but both have the saem problem. Especially with Bruno, who held the movie together as he did the book." Travel # wine # glass of wine # glass of wine # glass of wine # glass wine. Record store, writing something in a conventional movie, the two are... Version ( SD ; 1:42:57 ) but knows he will be suspected a conventional movie, director! Modern love # big day # train travel Guy and Bruno, who held movie! Could have been overwhelmingly positive the Poor unfortunate girl my characters never eat out of sight 6... Did not commit two characters, Guy and Bruno, who is by! 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And takes things into his own hands version of the murder and incriminate him out of character #! Are amazing # kit harington # modern love # big day # train.... Precisely what they got: strangers on a train film, `` a very clever fellow '' the! Takes things into his own hands coasts, and shadows on his best performance and best casting on... Both coasts, and the thick eyeglasses to agree to the plan, and the thick eyeglasses Roman,! Got: strangers on a train film in his Great Movies list best performance and casting! He added the film -- cutting down the intensity of the film -- cutting the... Granger is excellent as the harassed young man innocently involved in murder background as a,! Bros. wanted their own stars, already under contract, cast wherever possible the boat ahead, and the eyeglasses! Pregnant by someone else, at her workplace in Metcalf, their.... Along and get rid of him Guy trying to jolly him along and get of. 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